This year the Festival was a little compressed. I think having the awards on Saturday is a good idea, but that means the programming gets crammed into -essentially- two days. Saturday feels like a lost day, and Sunday we’ll be taking off. It’s a good format and I’m sure the scheduling will be cleaner if they continue with it.
It should also be noted that the projection at this festival is universally good. Having been through a hundred or so screenings over the years, there have only been a few instances of bad projection (all at the same venue). That’s an accomplishment. Each year well over 200 films screen at least twice each, these are spread over a half dozen venues. A filmmaker can be assured that their work will be given great treatment by the technical team.
I sat in on a “Meet the Filmmakers” today. The program we represented was universally good. Members of the audience, as always, wasted time on repeated questions and uninteresting nonsense but all the directors had revealing things to say about their work. Except me, I just blathered and hid my ignorance with big words.
Eric Goldberg gave a talk at St. Brigid’s Church -a new location this year. He was followed by the creator of Cartoon Network’s popular “Regular Show”. Both of these talks filled the pews.
I had Tom Sito sign his new book: “Moving Innovation: The History of Computer Animation”. I like “Drawing The Line” a great deal and look forward to reading this one.
The stations of the cross seem appropriate decor for an awards ceremony. This year’s may not have been as bad as falling for the third time, but it was no Veronica wiping your face, either.
Many of the award selections for short form films fell somewhere between poor and laughably atrocious, but the audience award for “But Milk Is Important” was well chosen. Filmmakers Eirik Grønmo Bjørndrn & Anna Mantazaris made a nice piece and should be encouraged to make more. It may be a difficult road for them, but let’s hope they continue on it.
The non-jury “Best Canadian Animation” went to “Two Weeks – Two Minutes” by Judith Poirier. This is cameraless film using printmaking techniques. I liked it a great deal. There a world of graphic designer films that this fits in to. I may start thinking more about these types of films. They don’t consider themselves “animation” -and they might not be, but I think they go back to Saul Bass and to Len Lye and probably even earlier.
The show wrapped with what started as a funny bit -one of the students from Japan singing to his work.
As it went on (far too long), it began to feel more and more like a minstrel show -a young man doing an Oriental Step-n-Fetchit routine. Maybe next year’s theme for student projects can explore the line between self-effacing and self-debasing.