The short documentary we worked on with Katy Chevigny and Arts Engine just premiered at TriBeCa.
As part of the initiative of Cinelan, the commissioning and curatorial agent, films go up online simultaneously with their debut.
Here it is:
The good bond had nice, pretty bleeds.
So the painting was done on a separate level and composited. You can see that in a few scenes in which we didn’t match the tracebacks.