I’m thinking of getting a driver’s license. That’s not to say I’ve never driven a car, but only a few times in questionable circumstances under the intense looming gloom of the surveillance state. I don’t know if you ever seen people driving in this country. They don’t know what they’re doing. And yet, licenses.
When I get my license, I plan to drive to Rockland County to visit Ed Smith.
I told him this last month. He responded by telling me something that happened over half a century ago. John Hubley was moving to New York (from under the cloud of Hollywood McCarthyism). I found it hard to believe that a guy from Los Angeles hadn’t driven a car, even harder to believe that LA once had a state of the art public transit, but I’m writing the footnotes, just going with it. So Hub, he’s calls him “Hub”, rings up Ed and says “take me out driving”. So he does. I think there was a punchline here but I’ve forgotten it. To me, the point of the story is that Ed Smith is the guy you call when you something done.
I can’t yet drive a car, so a couple weeks back I took the bus to the New City Library to see some drawings of Ed’s they have on exhibit, and to visit with Ed who was there for the afternoon. He’ll be there again this Sunday April, 23rd. The man’s a brilliant treasure, seeing him is worth more than the bus ride.
Here’s a bit he wrote for the show.
“Scrambled Leggs – Or, ‘Life as I Know It,’ by Ed Smith
I created these drawings in ink directly from my mind to the paper without preplanning, research, models, or penciled-in guides. There are no erasures or white-outs.
Outside of my workaday animation, I tried to find my own style. I emulated other artists, but not to my satisfaction. As time went on, I continued my animation on other people’s projects. Much had to be done under pressure, demanding tremendous numbers of drawings and impossible deadlines. Often, I experienced long periods of unemployment. During and after these trying times, I relaxed by drawing. I found pleasure in doing so, not for a job but for myself.
Much later, when I look at them, I saw things in them which gave them more meaning and nuance than I had purposely planned. Perhaps the difficulties and forced efforts had relieved the pressure of the right side of the brain, the conscious guardian of thought, and allowed the left side, the creative side, to emerge.
Sometimes we think too much!
This reminds me of my most re-told exchange with Ed. We were doing a commercial in the style of Ed Koren.
He sends in his animation -exquisite work. He had done every drawing, every little hair and line, in ink perfectly on model. No work left for an inbetweener or clean up artist. So I asked him, “You do all those little lines in ink without any underdrawing, what do you do when you make a mistake?”. “Well,” he replied, “I’ll let you know when that happens.”
A minute later he described the various techniques he used to salvage drawings. He threw most of them away. It’s not until now that I realize, twenty years and twenty recounts later, he understood that if one part of an animation drawing isn’t working the whole thing won’t work.